Through my BFA in Acting and Arts Administration studies at Susquehanna University, I built a strong relationship with body, form, and storytelling. On stage, physically and emotionally demanding roles — including Alan in Equus and Orpheus in Sarah Ruhl’s Eurydice — asked for vulnerability, sustained control, and precise movement.

Time at the Gaiety School of Acting in Dublin deepened that work through physical theatre and performance-making, with an emphasis on presence, shape, and embodied storytelling. That training carries into figure modeling, where stillness, line, and form let artists translate physical expression into visual art.